After a successful run at the Edinburgh Fringe Festival 2019 - **** Guardian Review 'deft demolition of rightwing wrongs' - we have a few more chances to share this award winning work:

26th September 2019 - 7.30pm - Deda, Derby
With guest speakers Kiran Singh and Onni Gust.
booking info

7th November 2019 - 8pm - Lancaster Arts, Lancaster University
With guest speakers Deborah Sutton and Roaa Ali
booking info

28th November 2019 - 7.30pm - Square Chapel Arts Centre, Halifax
With guest speaker Sumaya Kassim and Dr Patricia Noxolo
booking info


Seeta is part of the British Council Showcase at the Edinburgh Fringe Festival with the award-winning one woman dance theatre work Not Today's Yesterday. A collaboration with Limosani Projects.

Show details as follow:
19th -24th August 2019 - 3.40pm - Zoo Venues Southside
booking info

For all tour information please contact Producer Sarah Shead (Spin-Arts)

The Rite of Spring

Seeta's brand new ensemble work reimagining the iconic Rite of Spring completed a successful UK tour in May 2019.
Check out the press reviews about the work:

Patel brings out the more lyrical, romantic elements of Stravinsky’s score…instead of an earthy, ominous Rite, through Patel’s eyes the scene is dreamy, the stage glowing (there is lovely lighting from Warren Letton), hand gestures look like plants growing, nature abundant in a place of warmth and wonder.

Patel quickly seizes on the raw, percussive energy of Stravinsky’s chugging music. As the cast of six stamp out its rhythms, it feels like the two very different forms were meant for each other. The dance is energetic, full of intricate footwork and gesture, and of geometric patterns that come and go with ease as the dancers weave around each other…Patel’s Rite is a fascinating diversion from the usual take on the story. It also looks gorgeous thanks to Warren Letton’s lighting and Jason and Anshu Arora’s quirky costumes.

…then The Rite of Spring began and it was fabulous. Peacock-eye fingers jabbed out from thrusting arms, bare feet thumped the floor and bodies prowled the stage in strict geometric formations that carried a powerful emotional drive. The musicality was delicious and the unified sense of purpose was palpable.

Patel has created an authentic dance piece that is truly fresh and original. Her aim to bring Bharatanatyam into a modern age alongside contemporary dance is undoubtedly a success…exploring this new medium through an adapted version of The Rite of Spring is thoroughly enjoyable.

…this is a luscious piece of art…Patel’s work embraces the percussive stamping of Bharatanatyam…at times her choreography weaves the dancers in and out of patterns like a murmuration of starlings…given his unconventional approach to ballet, I feel sure Nijinsky would approve.

The dancers were supremely tight as a unit and performed with relentless energy, intensity and focus. Their small hand gestures were like visual imagist poetry in suggesting new life…Seeta Patel is certainly onto something in looking at such exciting cultural fusions.

BEHIND THE ARRAS: (Birmingham)
Patel directs with a uniquely stunning vision. With Stravinsky’s century-old score as the influencing factor there is a presentation of Bharatanatyam to add a new dimension to the story of the beauty found at springtime…a vibrant, bold, exciting contemporary piece.

…confident, vivid and moving…

Stunning and visually enticing

Seeta Patel has created an evocative, visceral interpretation of The Rite of Spring

The six dancers performed with great energy and precision, effortlessly interweaving east and west dance styles to reveal new layers of Stravinsky’s powerful music in a thought-provoking and powerful interpretation.

Seeta Patel has created a work of impact and ambition which is further enhanced by committed and powerful performances by the ensemble of six dancers…tackling a classic takes great bravery, but in her commanding and utterly convincing interpretation, Patel has created a must-see epic.

The unbelievably intricate footwork characteristic of Bharatanatyam is executed with such speed, tight turns and forceful arm-work that I reel from its frenetic energy and urgency…the dancers’ extended fingers pulse like small daggers, faces remain calm yet expressive…exciting, dynamic.

For all tour information please contact Producer Sarah Shead (Spin-Arts)

Promotional trailer of The Rite of Spring